2026-04-17T07:59:27Zhttps://recercat.cat/oai/request

oai:recercat.cat:20.500.12328/37412025-05-16T12:50:00Zcom_2072_67741col_2072_484355

00925njm 22002777a 4500 dc Bachman Durán, Ixa author 2020-05-29 During the last fifty years of armed conflict in Colombia, the Pacific region was one of the most affected with both severity and frequency. The Bojayá massacre (May 2, 2002), marked forever the lives of the survivors. This thesis seeks to understand how memory spaces can be a symbolic repair tool for victims in societies that have been hard hit by violence. Using the lyrics of the traditional ancestral songs of the Colombian Pacific, and analyzing the collaborative work in the construction of the memorial space Fragmentos in Bogotá, I propose what a memory space should be like for the Bojayá community. I propose, based on the songs, some guidelines and establish the key determinants of an architecture of the senses so that the space contributes to the symbolic repair of the victims. Therefore, the primary objective of making the sensory architectural experience for Bojayá’s residents and its visitors a facilitator for its reconciliation with the world is achieved. http://hdl.handle.net/20.500.12328/3741 Espais de memòria Reparació simbòlica Postconflicte Memòria col·lectiva Cultura afrocolombiana Arquitectura dels sentits Bojayá Procés participatiu Espacios de memoria Reparación simbólica Postconflicto Memoria colectiva Cultura afrocolombiana Arquitectura de los sentidos Bojayá Proceso participativo Memory spaces Symbolic repair Post conflict Collective memory Afro-Colombian culture Architecture of the senses Bojayá Participatory process Memory space as symbolic repair in post-conflict situation: the case of Bojayá