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               <dc:title>Malika Mokeddem reescritora de mitos clásicos</dc:title>
               <dc:creator>Figuerola Cabrol, M. Carme</dc:creator>
               <dc:subject>Cíclops (Mitologia grega)</dc:subject>
               <dc:subject>Ulisses (Mitologia grega)</dc:subject>
               <dc:subject>Medusa (Mitologia grega)</dc:subject>
               <dc:subject>Mitologia</dc:subject>
               <dc:subject>Dones</dc:subject>
               <dc:description>Le nom de Malika Mokeddem s’inscrit souvent sous cette rubrique que la critique a convenu de dénommer litté- rature de l’urgence . Son écriture recrée l’accouchement difficile d’une identité individuelle et collective et, pour ce faire, l’écrivaine fait appe l aux mythes clas- siques. Un premier but de cette analyse consiste à prouver comment Mokeddem contribue à la transformation des repré- sentations mythiques. Celles-ci sont asso- ciées à la présence des arts tels que la mu- sique, la peinture ou la littérature même. D’où que l’étude porte aussi sur le rap- port que Mokeddem établit entre ces moyens d’expression et les supports qui les caractérisent. Mots-clé: Cyclope; Ulysse; Méduse; iden- tité; femme; mythe. Abstract Malika Mokeddem’s name is in- scribed in that category that critics have agreed to call Literature of urgency . In this complex process of writing she recreates the birth of a personal iden tity and a collective, that of Algeria, for which the novelist ap- peals to classical myths. A first objective of this analysis is to observe from which opti- cal input from Mokeddem contributes to the transformation and survival of these mythical representations. Since the succes- sive stories myths in question are associated with the presence of other arts such as mu- sic, painting or literature itself and its ca- pacity as intertext, reflections are proposed on the links established by the novelist between these different modes of expression and media in each case the characteristic.</dc:description>
               <dc:date>2024-12-05T22:34:12Z</dc:date>
               <dc:date>2024-12-05T22:34:12Z</dc:date>
               <dc:date>2016-10-25T13:48:01Z</dc:date>
               <dc:date>2016-10-25T13:48:01Z</dc:date>
               <dc:date>2013</dc:date>
               <dc:type>article</dc:type>
               <dc:type>publishedVersion</dc:type>
               <dc:identifier>http://hdl.handle.net/10459.1/58030</dc:identifier>
               <dc:relation>Reproducció del document publicat a https://cedille.webs.ull.es/9/13figuerola.pdf</dc:relation>
               <dc:relation>Çedille. Revista de Estudios Franceses, 2013, núm. 9, p. 230-244</dc:relation>
               <dc:rights>(c) Figuerola, 2013</dc:rights>
               <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
               <dc:publisher>Universidad Española. Asociación de Profesores de Francés</dc:publisher>
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