<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-18T06:12:49Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:10459.1/469837" metadataPrefix="oai_dc">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:10459.1/469837</identifier><datestamp>2026-03-30T18:29:53Z</datestamp><setSpec>com_2072_3622</setSpec><setSpec>col_2072_479130</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
   <dc:title>Revisiting Surveillance and Exposure through Aging Masculinities: Fede Álvarez’s "Don’t Breathe" as a Contemporary Adaptation of Edgar Allan Poe’s ‘The Tell-Tale Heart’</dc:title>
   <dc:creator>Miquel Baldellou, Marta</dc:creator>
   <dc:subject>Transtextuality</dc:subject>
   <dc:subject>Gaze</dc:subject>
   <dc:subject>House</dc:subject>
   <dc:subject>Aging</dc:subject>
   <dc:subject>Gender</dc:subject>
   <dc:description>Fede Álvarez’s film Don’t Breathe (2016) and Poe’s classic tale ‘The Tell-Tale Heart’ (1843) present a significant number of intertextualities, which pave the way for approaching Álvarez’s film as a contemporary adaptation of Poe’s tale. Both narratives comprise pervasive references to the gaze and the act of looking, methods of invigilation and disclosure, the house as a projection of its dweller, and the relevance that age and gender discourses acquire in them. This article offers a comparative analysis of both narratives with the view to prove that Álvarez’s film reflects and subverts the dynamics of surveillance and exposure displayed in Poe’s original tale.</dc:description>
   <dc:date>2026-03-04</dc:date>
   <dc:type>info:eu-repo/semantics/article</dc:type>
   <dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
   <dc:identifier>http://dx.doi.org/10.17951/lsmll.2026.50.1.7-19</dc:identifier>
   <dc:identifier>2450-4580</dc:identifier>
   <dc:identifier>https://hdl.handle.net/10459.1/469837</dc:identifier>
   <dc:identifier>https://hdl.handle.net/10459.1/469837</dc:identifier>
   <dc:language>eng</dc:language>
   <dc:relation>Reproducció del document publicat a http://dx.doi.org/10.17951/lsmll.2026.50.1.7-19</dc:relation>
   <dc:relation>Lublin Studies in Modern Languages and Literature, 2026, vol. 50, núm. 1, p. 7-19</dc:relation>
   <dc:rights>cc-by (c) Marta Miquel-Baldellou, 2026</dc:rights>
   <dc:rights>Attribution 4.0 International</dc:rights>
   <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
   <dc:rights>http://creativecommons.org/licenses/by/4.0/</dc:rights>
   <dc:publisher>Maria Curie-Sklodowska University Press</dc:publisher>
</oai_dc:dc></metadata></record></GetRecord></OAI-PMH>