<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-14T02:48:18Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:10459.1/466579" metadataPrefix="qdc">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:10459.1/466579</identifier><datestamp>2025-09-15T18:30:14Z</datestamp><setSpec>com_2072_3622</setSpec><setSpec>col_2072_479130</setSpec></header><metadata><qdc:qualifieddc xmlns:qdc="http://dspace.org/qualifieddc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dc.xsd http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dcterms.xsd http://dspace.org/qualifieddc/ http://www.ukoln.ac.uk/metadata/dcmi/xmlschema/qualifieddc.xsd">
   <dc:title>Diane Keaton's late films: aging gracefully for the silvering screen</dc:title>
   <dc:creator>Casado Gual, Núria</dc:creator>
   <dc:creator>Oró Piqueras, Maricel</dc:creator>
   <dc:subject>Aging</dc:subject>
   <dc:subject>Gender</dc:subject>
   <dc:subject>Film studies</dc:subject>
   <dc:subject>Stardom</dc:subject>
   <dcterms:abstract>This article offers a cultural analysis of Diane Keaton’s later career that teases out the age/gender interactions of the roles she has played past her mid-fifties. Drawing on both age and gender theories, our analysis of Keaton’s late-life characterizations explains the actor’s transformation into an icon of a positive and desirable form of female aging. At the same time, it observes the normative aspects of gendered old age that are also perpetuated through Keaton’s late-life representations of aging femininity, and which troublingly reiterate Hollywood’s normative white heterosexuality.</dcterms:abstract>
   <dcterms:issued>2022-05-12</dcterms:issued>
   <dc:type>info:eu-repo/semantics/article</dc:type>
   <dc:type>info:eu-repo/semantics/acceptedVersion</dc:type>
   <dc:relation>Versió postprint del document publicat a https://doi.org/10.1080/14680777.2022.2071318</dc:relation>
   <dc:relation>Feminist Media Studies, 2023, vol. 23, núm. 6, p. 2562-2575</dc:relation>
   <dc:rights>(c) Taylor and Francis Group, 2022</dc:rights>
   <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
   <dc:publisher>Taylor and Francis Group</dc:publisher>
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