2026-04-05T12:43:23Zhttps://recercat.cat/oai/request

oai:recercat.cat:10256/281552026-01-22T10:08:20Zcom_2072_452955com_2072_2054col_2072_453067

Voice and revolutionary practice: The new vocality of Demetrio Stratos Pardo Salgado, Carmen Stratos, Demetrio Veu Voice This article considers how the ‘new vocality’, showcased by Demetrio Stratos in his albums Metrodora and Cantare la Voce, was, in itself, a revolutionary practice. To do so, it begins by describing these two works as well as the posthumously published text ‘Diplofonie e altro’, in the context of 1970’s Italy. Stratos believed the voice in the capitalist system suffered from a vocal hypertrophy which restricted its communicative capacity and turned it into a vehicle for stereotyped expressions. This situation brought to the fore a ‘voice-for’ which concealed what he called the ‘voice-problem’ and which led him to a theoretical–practical search for other forms of knowledge about the voice that encompass the role of language, psychoanalysis and phonology. This led to a voice-event, a pharmakon, which aims to elude the way the voice is used in the prevailing system of economics and thought, and opens up the possibility of (what is called here) a concrete utopia AGAUR-Generalitat de Catalunya (Premi 2021SGR00482) 2026-01-22T10:08:20Z 2026-01-22T10:08:20Z 2026-01-22T10:08:20Z info:eu-repo/date/embargoEnd/2026-12-04 2025-12-04 info:eu-repo/semantics/article info:eu-repo/semantics/acceptedVersion peer-reviewed http://hdl.handle.net/10256/28155 info:eu-repo/semantics/altIdentifier/doi/10.1386/jivs_00099_1 info:eu-repo/semantics/altIdentifier/issn/2057-0341 info:eu-repo/semantics/altIdentifier/eissn/2057-035X InC https://rightsstatements.org/vocab/InC/1.0/ info:eu-repo/semantics/embargoedAccess Intellect © Journal of Interdisciplinary Voice Studies, 2025, vol. undef, núm. undef, p. undef Articles publicats (D-H)