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oai:recercat.cat:10256/281522026-01-22T10:08:20Zcom_2072_452955com_2072_2054col_2072_453067

Ecologies of Sound with Regard to Arrhythmia Pardo Salgado, Carmen So en l'art Sound in art Instal·lacions (Art) Installations (Art) The most recent practices in sound art have emerged as pre-eminent spaces in which to question the interaction of sound with its environment. Accordingly, in this article, I envisage Arrhythmia, the sound installation by Bosch and Simons with Kostyrko (2019), as a device that helps to outline a horizontal sound ecology. This approach, which takes as its starting point the sound and material vibration in its entirety, implies a positive acceptance of an ontological continuity between the human and the non-human. This, in turn, implies that issues such as biopolitics cannot be reduced to the human realm. With this in mind, Arrhythmia emerges as a new kind of singular entity from which relationships with the environment can be conceived in a non-fragmented wa 2022-08-22 info:eu-repo/semantics/article info:eu-repo/semantics/acceptedVersion peer-reviewed http://hdl.handle.net/10256/28152 http://hdl.handle.net/10256/28152 eng info:eu-repo/semantics/altIdentifier/doi/10.1017/S1355771822000255 info:eu-repo/semantics/altIdentifier/issn/1355-7718 info:eu-repo/semantics/altIdentifier/eissn/1469-8153 Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess application/pdf Cambridge University Press © Organised Sound: An International Journal of Music and Technology, 2022, vol. 27, núm. 1, p. 86-93 Articles publicats (D-H)