<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-03T19:18:39Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:10256/26492" metadataPrefix="qdc">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:10256/26492</identifier><datestamp>2025-02-28T04:57:44Z</datestamp><setSpec>com_2072_452955</setSpec><setSpec>com_2072_2054</setSpec><setSpec>col_2072_453074</setSpec></header><metadata><qdc:qualifieddc xmlns:qdc="http://dspace.org/qualifieddc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dc.xsd http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dcterms.xsd http://dspace.org/qualifieddc/ http://www.ukoln.ac.uk/metadata/dcmi/xmlschema/qualifieddc.xsd">
   <dc:title>Editorial: Transgressing the Non-fiction Transmedia Narrative</dc:title>
   <dc:creator>Gifreu Castells, Arnau</dc:creator>
   <dc:creator>Misek, Richard</dc:creator>
   <dc:creator>Verbruggen, Erwin</dc:creator>
   <dc:subject>Narrativa transmèdia</dc:subject>
   <dc:subject>Transmedia narrative</dc:subject>
   <dc:subject>Mitjans de comunicació digitals</dc:subject>
   <dc:subject>Digital media</dc:subject>
   <dc:subject>Multimèdia interactius</dc:subject>
   <dc:subject>Interactive multimedia</dc:subject>
   <dc:subject>Comunicació audiovisual</dc:subject>
   <dc:subject>Broadcasting</dc:subject>
   <dcterms:abstract>Over the last years, interactive digital media have greatly affected the logics of production, exhibition and reception of non-fiction audiovisual works, leading to the emergence of a new area called ‘interactive and transmedia non-fiction’. While the audiovisual non-fiction field has been partially studied, a few years ago emerged a new field focusing on interactive and transmedia non-fiction narratives, an unexplored territory that needs new theories and taxonomies to differentiate from its audiovisual counterpart</dcterms:abstract>
   <dcterms:dateAccepted>2025-02-28T04:57:44Z</dcterms:dateAccepted>
   <dcterms:available>2025-02-28T04:57:44Z</dcterms:available>
   <dcterms:created>2025-02-28T04:57:44Z</dcterms:created>
   <dcterms:issued>2016</dcterms:issued>
   <dc:type>info:eu-repo/semantics/article</dc:type>
   <dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
   <dc:identifier>http://hdl.handle.net/10256/26492</dc:identifier>
   <dc:relation>info:eu-repo/semantics/altIdentifier/doi/10.18146/2213-0969.2016.jethc108</dc:relation>
   <dc:relation>info:eu-repo/semantics/altIdentifier/eissn/2213-0969</dc:relation>
   <dc:rights>Attribution-ShareAlike 4.0 International</dc:rights>
   <dc:rights>http://creativecommons.org/licenses/by-sa/4.0/</dc:rights>
   <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
   <dc:publisher>EUScreen</dc:publisher>
   <dc:source>VIEW Journal of European Television History and Culture, 2016, vol. 5, núm. 10, p. 1-3</dc:source>
   <dc:source>Articles publicats (ERAM)</dc:source>
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