<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-04T01:11:02Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:10256/26492" metadataPrefix="oai_dc">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:10256/26492</identifier><datestamp>2025-02-28T04:57:44Z</datestamp><setSpec>com_2072_452955</setSpec><setSpec>com_2072_2054</setSpec><setSpec>col_2072_453074</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
   <dc:title>Editorial: Transgressing the Non-fiction Transmedia Narrative</dc:title>
   <dc:creator>Gifreu Castells, Arnau</dc:creator>
   <dc:creator>Misek, Richard</dc:creator>
   <dc:creator>Verbruggen, Erwin</dc:creator>
   <dc:subject>Narrativa transmèdia</dc:subject>
   <dc:subject>Transmedia narrative</dc:subject>
   <dc:subject>Mitjans de comunicació digitals</dc:subject>
   <dc:subject>Digital media</dc:subject>
   <dc:subject>Multimèdia interactius</dc:subject>
   <dc:subject>Interactive multimedia</dc:subject>
   <dc:subject>Comunicació audiovisual</dc:subject>
   <dc:subject>Broadcasting</dc:subject>
   <dc:description>Over the last years, interactive digital media have greatly affected the logics of production, exhibition and reception of non-fiction audiovisual works, leading to the emergence of a new area called ‘interactive and transmedia non-fiction’. While the audiovisual non-fiction field has been partially studied, a few years ago emerged a new field focusing on interactive and transmedia non-fiction narratives, an unexplored territory that needs new theories and taxonomies to differentiate from its audiovisual counterpart</dc:description>
   <dc:date>2016</dc:date>
   <dc:type>info:eu-repo/semantics/article</dc:type>
   <dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
   <dc:identifier>http://hdl.handle.net/10256/26492</dc:identifier>
   <dc:identifier>http://hdl.handle.net/10256/26492</dc:identifier>
   <dc:language>eng</dc:language>
   <dc:relation>info:eu-repo/semantics/altIdentifier/doi/10.18146/2213-0969.2016.jethc108</dc:relation>
   <dc:relation>info:eu-repo/semantics/altIdentifier/eissn/2213-0969</dc:relation>
   <dc:rights>Attribution-ShareAlike 4.0 International</dc:rights>
   <dc:rights>http://creativecommons.org/licenses/by-sa/4.0/</dc:rights>
   <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
   <dc:format>application/pdf</dc:format>
   <dc:publisher>EUScreen</dc:publisher>
   <dc:source>VIEW Journal of European Television History and Culture, 2016, vol. 5, núm. 10, p. 1-3</dc:source>
   <dc:source>Articles publicats (ERAM)</dc:source>
</oai_dc:dc></metadata></record></GetRecord></OAI-PMH>