<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-17T02:28:43Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:10256/22919" metadataPrefix="mets">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:10256/22919</identifier><datestamp>2024-06-18T12:23:15Z</datestamp><setSpec>com_2072_452955</setSpec><setSpec>com_2072_2054</setSpec><setSpec>col_2072_453067</setSpec></header><metadata><mets xmlns="http://www.loc.gov/METS/" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" ID="&#xa;&#x9;&#x9;&#x9;&#x9;DSpace_ITEM_10256-22919" TYPE="DSpace ITEM" PROFILE="DSpace METS SIP Profile 1.0" xsi:schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/mets.xsd" OBJID="&#xa;&#x9;&#x9;&#x9;&#x9;hdl:10256/22919">
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                  <mods:namePart>Faxedas, Maria Lluïsa</mods:namePart>
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                  <mods:dateAccessioned encoding="iso8601">2024-06-18T12:23:15Z</mods:dateAccessioned>
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                  <mods:dateIssued encoding="iso8601">2021</mods:dateIssued>
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               <mods:identifier type="uri">http://hdl.handle.net/10256/22919</mods:identifier>
               <mods:abstract>Taking as case study the painting Pastoral (1910-11), one of the iconic works of the Catalan artist Joaquim Sunyer (1874-1956), this paper examines the established link between Mediterraneanism and Noucentisme in Catalan culture in the first decades of the twentieth century. A look at how this work was received when it was first exhibited, and the sub-sequent re- reading of its iconography, enables us to understand Pastoral nowadays not as much as a symbol of Noucentisme, but more as a potential meeting point between the different aesthetic trends of the periodEn prenant pour cas d’étude la peinture Pastoral (1910-11), œuvre emblématique de l’artiste catalan Joaquim Sunyer (1874-1956), je me propose dans cet article de revenir sur le&#xd;
lien tissé entre le méditerranéisme et le noucentisme dans la culture catalane des premières&#xd;
décennies du XXe s. L’accueil que reçut l’œuvre au moment de sa première exposition, ainsi&#xd;
que la relecture de son iconographie, nous permettent aujourd’hui de comprendre Pastoral non tant comme un emblème exclusif du noucentisme, mais plutôt comme un point de&#xd;
possible rencontre entre les diverses tendances esthétiques présentes dans la culture de&#xd;
l’époque</mods:abstract>
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               <mods:accessCondition type="useAndReproduction">Reconeixement-NoComercial-CompartirIgual 4.0 Internacional http://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess</mods:accessCondition>
               <mods:subject>
                  <mods:topic>Art català -- S. XX</mods:topic>
               </mods:subject>
               <mods:subject>
                  <mods:topic>Art, Catalan -- 20th century</mods:topic>
               </mods:subject>
               <mods:subject>
                  <mods:topic>Noucentisme (Art)</mods:topic>
               </mods:subject>
               <mods:subject>
                  <mods:topic>Modernism (Art)</mods:topic>
               </mods:subject>
               <mods:titleInfo>
                  <mods:title>Beyond Noucentisme: Joaquim Sunyer's Mediterranean Pastoral</mods:title>
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