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               <dc:title>Exploring situated stabilities of a rhythm generation system through variational cross-examination</dc:title>
               <dc:creator>Kotowski, Błażej</dc:creator>
               <dc:creator>Evans, Nicholas</dc:creator>
               <dc:creator>Haki, Behzad</dc:creator>
               <dc:creator>Font Corbera, Frederic</dc:creator>
               <dc:creator>Jordà Puig, Sergi</dc:creator>
               <dc:subject>Human-computer interaction</dc:subject>
               <dc:subject>Artificial intelligence</dc:subject>
               <dc:subject>Sound</dc:subject>
               <dc:subject>Audio and speech processing</dc:subject>
               <dc:description>This paper investigates GrooveTransformer, a real-time rhythm generation system, through the postphenomenological framework of Variational Cross-Examination (VCE). By reflecting on its deployment across three distinct artistic contexts, we identify three stabilities: an autonomous drum accompaniment generator, a rhythmic control voltage sequencer in Eurorack format, and a rhythm driver for a harmonic accompaniment system. The versatility of its applications was not an explicit goal from the outset of the project. Thus, we ask: how did this multistability emerge? Through VCE, we identify three key contributors to its emergence: the affordances of system invariants, the interdisciplinary collaboration, and the situated nature of its development. We conclude by reflecting on the viability of VCE as a descriptive and analytical method for Digital Musical Instrument (DMI) design, emphasizing its value in uncovering how technologies mediate, co-shape, and are co-shaped by users and contexts.</dc:description>
               <dc:description>This research was funded by (1) the Secretaría de Estado de Digitalización e Inteligencia Artificial, and the European Union-Next Generation EU, under the program Cátedras ENIA 2022. "IA y Música: Cátedra en Inteligencia Artificial y Música" (Reference: TSI-100929-2023-1), (2) the Maria de Maeztu Strategic Research Program (CEX2021-001195-M) and (3) the IMPA Project PID2023-152250OB-I00 funded by MCIU/AEI/10.13039/501100011033/FEDER, UE.</dc:description>
               <dc:date>2025-10-16T22:03:33Z</dc:date>
               <dc:date>2025-10-16T22:03:33Z</dc:date>
               <dc:date>2025-10-14T13:02:42Z</dc:date>
               <dc:date>2025-10-14T13:02:42Z</dc:date>
               <dc:date>2025</dc:date>
               <dc:type>info:eu-repo/semantics/conferenceObject</dc:type>
               <dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
               <dc:identifier>http://hdl.handle.net/10230/71506</dc:identifier>
               <dc:relation>6th Conference on AI Music Creativity (AIMC 2025); 2025 Sep 10-12; Brussels, Belgium.</dc:relation>
               <dc:relation>info:eu-repo/grantAgreement/ES/3PE/PID2023-152250OB-I00</dc:relation>
               <dc:rights>Copyright © 2025 The Authors. Creative Commons Attribution 4.0 International</dc:rights>
               <dc:rights>http://creativecommons.org/licenses/by/4.0</dc:rights>
               <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
               <dc:publisher>AI Music Creativity</dc:publisher>
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