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               <dc:title>Personalized musically induced emotions of not-so-popular Colombian music</dc:title>
               <dc:creator>Gómez Cañón, Juan Sebastián</dc:creator>
               <dc:creator>Herrera Boyer, Perfecto, 1964-</dc:creator>
               <dc:creator>Cano, Estefanía</dc:creator>
               <dc:creator>Gómez Gutiérrez, Emilia, 1975-</dc:creator>
               <dc:description>Comunicació presentada al workshop Human Centered AI inclòs a: 35th Conference on Neural Information Processing Systems (NeurIPS 2021) celebrat el 13 de desembre de manera virtual.</dc:description>
               <dc:description>This work presents an initial proof of concept of how Music Emotion Recognition (MER) systems could be intentionally biased with respect to annotations&#xd;
&#xd;
of musically-induced emotions in a political context. In specific, we analyze&#xd;
traditional Colombian music containing politically-charged lyrics of two types:&#xd;
(1) vallenatos and social songs from the “left-wing” guerrilla Fuerzas Armadas&#xd;
Revolucionarias de Colombia (FARC) and (2) corridos from the “right-wing”&#xd;
paramilitaries Autodefensas Unidas de Colombia (AUC). We train personalized&#xd;
machine learning models to predict induced emotions for three users with diverse&#xd;
political views – we aim at identifying the songs that may induce negative emotions&#xd;
&#xd;
for a particular user, such as anger and fear. To this extent, a user’s emotion judgements could be interpreted as problematizing data – subjective emotional judgments&#xd;
&#xd;
could in turn be used to influence the user in a human-centered machine learning&#xd;
environment. In short, highly desired “emotion regulation” applications could&#xd;
potentially deviate to “emotion manipulation” – the recent discredit of emotion&#xd;
recognition technologies might transcend ethical issues of diversity and inclusion.</dc:description>
               <dc:description>The research work conducted at the Universitat Pompeu Fabra is partially supported by the Eu-&#xd;
ropean Commission under the TROMPA project (H2020 770376) and the Project Musical AI -&#xd;
&#xd;
PID2019-111403GB-I00/AEI/10.13039/501100011033 funded by the Spanish Ministerio de Ciencia,&#xd;
Innovación y Universidades (MCIU) and the Agencia Estatal de Investigación (AEI).</dc:description>
               <dc:date>2022-01-11T10:37:03Z</dc:date>
               <dc:date>2022-01-11T10:37:03Z</dc:date>
               <dc:date>2021</dc:date>
               <dc:type>info:eu-repo/semantics/conferenceObject</dc:type>
               <dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
               <dc:relation>info:eu-repo/grantAgreement/EC/H2020/770376</dc:relation>
               <dc:relation>info:eu-repo/grantAgreement/ES/2PE/PID2019-111403GB-I00</dc:relation>
               <dc:rights>© The Authors. This paper is licensed under a Creative Commons License (Attribution-NonCommercial 4.0 International (CC BY-NC 4.0))</dc:rights>
               <dc:rights>https://creativecommons.org/licenses/by-nc/4.0/</dc:rights>
               <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
               <dc:publisher>NeurIPS</dc:publisher>
            </oai_dc:dc>
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