<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-14T08:14:09Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:10230/46653" metadataPrefix="oai_dc">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:10230/46653</identifier><datestamp>2025-12-20T16:51:48Z</datestamp><setSpec>com_2072_6</setSpec><setSpec>col_2072_452952</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
   <dc:title>The Emotions that we perceive in music: the influence of language and lyrics comprehension on agreement</dc:title>
   <dc:creator>Gómez Cañón, Juan Sebastián</dc:creator>
   <dc:creator>Herrera Boyer, Perfecto, 1964-</dc:creator>
   <dc:creator>Gómez Gutiérrez, Emilia, 1975-</dc:creator>
   <dc:creator>Cano, Estefanía</dc:creator>
   <dc:description>Comunicació presentada a: Workshop-Symposium on Research Methods in Music and Emotion celebrat el 14 de setembre de 2019 a Durham, Regne Unit.</dc:description>
   <dc:description>In the present study, we address the relationship between&#xd;
the emotions perceived in pop and rock music (mainly&#xd;
in Euro-American styles with English lyrics) and the language&#xd;
spoken by the listener. Our goal is to understand&#xd;
the influence of lyrics comprehension on the perception of&#xd;
emotions and use this information to improve Music Emotion&#xd;
Recognition (MER) models. Two main research questions&#xd;
are addressed:&#xd;
1. Are there differences and similarities between the&#xd;
emotions perceived in pop/rock music by listeners&#xd;
raised with different mother tongues?&#xd;
2. Do personal characteristics have an influence on&#xd;
the perceived emotions for listeners of a given language?&#xd;
Personal characteristics include the listeners’ general&#xd;
demographics, familiarity and preference for the fragments,&#xd;
and music sophistication [14]. Our hypothesis is&#xd;
that inter-rater agreement (as defined by Krippendorff’s alpha&#xd;
coefficient) from subjects is directly influenced by the&#xd;
comprehension of lyrics.</dc:description>
   <dc:date>2021-03-03T09:23:22Z</dc:date>
   <dc:date>2021-03-03T09:23:22Z</dc:date>
   <dc:date>2019</dc:date>
   <dc:type>info:eu-repo/semantics/conferenceObject</dc:type>
   <dc:type>info:eu-repo/semantics/acceptedVersion</dc:type>
   <dc:identifier>Gómez Cañón JS, Herrera P, Gómez E, Cano E. The Emotions that we perceive in music: the influence of language and lyrics comprehension on agreement. Paper presented at: Workshop-Symposium on Research Methods in Music and Emotion; 2019 Sep 14; Durham, United Kingdom.</dc:identifier>
   <dc:identifier>http://hdl.handle.net/10230/46653</dc:identifier>
   <dc:language>eng</dc:language>
   <dc:rights>Aquest document està subjecte a una llicència Creative Commons. Reconeixement-NoComercial 4.0 Internacional (CC BY-NC 4.0)</dc:rights>
   <dc:rights>https://creativecommons.org/licenses/by-nc/4.0/</dc:rights>
   <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
   <dc:format>application/pdf</dc:format>
   <dc:format>application/pdf</dc:format>
   <dc:publisher>Durham University</dc:publisher>
</oai_dc:dc></metadata></record></GetRecord></OAI-PMH>