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                  <mods:namePart>Gómez Cañón, Juan Sebastián</mods:namePart>
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               <mods:name>
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                  <mods:namePart>Herrera Boyer, Perfecto, 1964-</mods:namePart>
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                  <mods:namePart>Gómez Gutiérrez, Emilia, 1975-</mods:namePart>
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               <mods:name>
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                  <mods:namePart>Cano, Estefanía</mods:namePart>
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                  <mods:dateIssued encoding="iso8601">2021-03-03T09:23:22Z2021-03-03T09:23:22Z2019</mods:dateIssued>
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               <mods:abstract>Comunicació presentada a: Workshop-Symposium on Research Methods in Music and Emotion celebrat el 14 de setembre de 2019 a Durham, Regne Unit.In the present study, we address the relationship between&#xd;
the emotions perceived in pop and rock music (mainly&#xd;
in Euro-American styles with English lyrics) and the language&#xd;
spoken by the listener. Our goal is to understand&#xd;
the influence of lyrics comprehension on the perception of&#xd;
emotions and use this information to improve Music Emotion&#xd;
Recognition (MER) models. Two main research questions&#xd;
are addressed:&#xd;
1. Are there differences and similarities between the&#xd;
emotions perceived in pop/rock music by listeners&#xd;
raised with different mother tongues?&#xd;
2. Do personal characteristics have an influence on&#xd;
the perceived emotions for listeners of a given language?&#xd;
Personal characteristics include the listeners’ general&#xd;
demographics, familiarity and preference for the fragments,&#xd;
and music sophistication [14]. Our hypothesis is&#xd;
that inter-rater agreement (as defined by Krippendorff’s alpha&#xd;
coefficient) from subjects is directly influenced by the&#xd;
comprehension of lyrics.</mods:abstract>
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                  <mods:title>The Emotions that we perceive in music: the influence of language and lyrics comprehension on agreement</mods:title>
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