<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-14T07:51:54Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:10230/44130" metadataPrefix="marc">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:10230/44130</identifier><datestamp>2025-12-22T13:36:07Z</datestamp><setSpec>com_2072_6</setSpec><setSpec>col_2072_452952</setSpec></header><metadata><record xmlns="http://www.loc.gov/MARC21/slim" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd">
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      <subfield code="a">Eremenko, Vsevolod</subfield>
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      <subfield code="a">Morsi, Alia</subfield>
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      <subfield code="a">Narang, Jyoti</subfield>
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      <subfield code="a">Serra, Xavier</subfield>
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      <subfield code="c">2020-04-01T08:14:41Z</subfield>
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      <subfield code="c">2020-04-01T08:14:41Z</subfield>
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      <subfield code="c">2020</subfield>
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      <subfield code="a">Comunicació presentada a: CSEDU 2020 The 12th International Conference on Computer Supported Education, celebrada del 2 al 4 de maig de 2020, en línia.</subfield>
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      <subfield code="a">Recent technological developments are having a significant impact on musical instruments and singing voice&#xd;
learning. A proof is the number of successful software applications that are being used by aspiring musicians&#xd;
in their regular practice. These practicing apps offer many useful functionalities to support learning, including&#xd;
performance assessment technologies that analyze the sound produced by the student while playing, identifying&#xd;
performance errors and giving useful feedback. However, despite the advancements in these sound analysis&#xd;
technologies, they are still not reliable and effective enough to support the strict requirements of a professional&#xd;
music education context. In this article we first introduce the topic and context, reviewing some of the work&#xd;
done in the practice of music assessment, then going over the current state of the art in performance assessment&#xd;
technologies, and presenting, as a proof of concept, a complete assessment system that we have developed for&#xd;
supporting guitar exercises. We conclude by identifying the challenges that should be addressed in order to&#xd;
further advance these assessment technologies and their useful integration into professional learning contexts.</subfield>
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      <subfield code="a">This research was partly funded by the European&#xd;
Research Council under the European Union’s Seventh&#xd;
Framework Program, as part of the TECSOME&#xd;
project (ERC grant agreement 768530).</subfield>
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      <subfield code="a">Music education</subfield>
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      <subfield code="a">Music performance analysis</subfield>
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   <datafield tag="653" ind2=" " ind1=" ">
      <subfield code="a">Music assessment</subfield>
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      <subfield code="a">Audio signal processing</subfield>
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      <subfield code="a">Machine learning</subfield>
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   <datafield tag="653" ind2=" " ind1=" ">
      <subfield code="a">Music information retrieval</subfield>
   </datafield>
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      <subfield code="a">Performance assessment technologies for the support of musical instrument learning</subfield>
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