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   <dc:title>Automatic transcription of flamenco guitar falsetas</dc:title>
   <dc:creator>Rodríguez, Sonia</dc:creator>
   <dc:creator>Gómez Gutiérrez, Emilia, 1975-</dc:creator>
   <dc:creator>Cuesta, Helena</dc:creator>
   <dcterms:abstract>Comunicació presentada al 8th International Workshop on Folk Music Analysis celebrat del 26 al 29 de juny de 2018 a Tessalònica, Grècia.</dcterms:abstract>
   <dcterms:abstract>This work deals with the automatic transcription and characterization&#xd;
of flamenco guitar, with a focus on short melodic interludes&#xd;
improvised between sung verses. These are called falsetas&#xd;
in the flamenco argot and are very challenging for manual and automatic&#xd;
transcription due to their fast and highly ornamented nature.&#xd;
However, they are a key resource for guitar players to practice.&#xd;
We adapted a state of the art singing transcription algorithm&#xd;
to process an audio signal containing one or several guitar falsetas&#xd;
and extract their symbolic representation. The algorithms first&#xd;
perform a segmentation to locate the guitar fragments and then&#xd;
a symbolic transcription of these segments into symbolic representation.&#xd;
In order to evaluate it, we collected the first (to our&#xd;
knowledge) annotated falseta datasets. Our results confirm the&#xd;
difficulty of the task, and a detailed study of two transcriptions revealed&#xd;
that combining the algorithm with specific musical knowledge&#xd;
about the scale used by the song, improves the performance&#xd;
of the system. Our approach follows the principles of research reproducibility,&#xd;
and the system is integrated in a computer-assisted&#xd;
paradigm, where the user complements the automatic annotation&#xd;
with a priory knowledge to generate a final transcription.</dcterms:abstract>
   <dcterms:abstract>This work is partially supported by the Spanish Ministry of&#xd;
Economy and Competitiveness under the CASAS project&#xd;
(TIN2015-70816-R).</dcterms:abstract>
   <dcterms:issued>2018-12-05T08:59:22Z</dcterms:issued>
   <dcterms:issued>2018-12-05T08:59:22Z</dcterms:issued>
   <dcterms:issued>2018</dcterms:issued>
   <dc:type>info:eu-repo/semantics/conferenceObject</dc:type>
   <dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
   <dc:relation>Holzapfel A, Pikrakis A, editors. Proceedings of the 8th International Workshop on Folk Music Analysis; 2018 Jun 26-29; Thessaloniki, Greece. Greece: Aristotle University of Thessaloniki; 2018.</dc:relation>
   <dc:relation>http://dx.doi.org/10.5281/zenodo.804050</dc:relation>
   <dc:relation>info:eu-repo/grantAgreement/ES/1PE/TIN2015-70816-R</dc:relation>
   <dc:rights>© Folk Music Analysis</dc:rights>
   <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
   <dc:publisher>Folk Music Analysis</dc:publisher>
</qdc:qualifieddc></metadata></record></GetRecord></OAI-PMH>