2026-04-17T00:59:43Zhttps://recercat.cat/oai/request

oai:recercat.cat:10230/321322025-12-22T13:36:10Zcom_2072_6col_2072_452952

00925njm 22002777a 4500 dc Atli, Hasan Sercan author Bozkurt, Baris author Sentürk, Sertan author 2017-05-16T08:34:51Z 2017-05-16T08:34:51Z 2015 Comunicació presentada al 5th International Workshop on Folk Music Analysis, celebrat a Paris (França) els dies 10 a 12 de juny de 2015. Karar is the final tone in the Turkish makam music performances. The karar frequency, hence the concert pitch varies among performances due to the existence of many diapasons in Turkish makam music, instead of a single standard one. Correct estimation of the karar frequency is critical for many computational tasks such as tuning analysis, audo-score alignment and automatic trascription. We present a new karar frequency identification method that is based on detecting the last note in the recording and estimating its frequency. The method is applied on two large datasets of Turkish makam music recordings and shown to outperform the state-of-the-art. This work is supported by the European Research Council under the European Union's Seventh Framework Program, as part of the CompMusic project (ERC grant agreement 26758). Enginyeria acústica So -- Enregistrament i reproducció A method for tonic frequency identification of Turkish Makam music recordings