<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-17T07:37:09Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:10230/25015" metadataPrefix="qdc">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:10230/25015</identifier><datestamp>2025-12-24T08:53:19Z</datestamp><setSpec>com_2072_6</setSpec><setSpec>col_2072_452952</setSpec></header><metadata><qdc:qualifieddc xmlns:qdc="http://dspace.org/qualifieddc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dc.xsd http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dcterms.xsd http://dspace.org/qualifieddc/ http://www.ukoln.ac.uk/metadata/dcmi/xmlschema/qualifieddc.xsd">
   <dc:title>Timing synchronization in string quartet performance: a preliminary study</dc:title>
   <dc:creator>Marchini, Marco, 1984-</dc:creator>
   <dc:creator>Papiotis, Panagiotis, 1985-</dc:creator>
   <dc:creator>Maestre Gómez, Esteban</dc:creator>
   <dc:subject>Music performance</dc:subject>
   <dc:subject>Ensemble performance</dc:subject>
   <dc:subject>Synchronization</dc:subject>
   <dc:subject>Timing</dc:subject>
   <dc:subject>Tempo</dc:subject>
   <dc:subject>String quartet</dc:subject>
   <dcterms:abstract>This work presents a preliminary study of timing synchronization/nphenomena in string quartet performance. Accurate timing information/nextracted from real recordings is used to compare timing deviations/nin solo and ensemble performance when executing a simple musical/npassage. Multi-modal data is acquired from real performance and/nprocessed towards obtaining note-level segmentation of recorded performances./nFrom such segmentation, a series of timing deviation analyses/nare carried out at two different temporal levels, focusing on the exploration/nof significant differences between solo and ensemble performances./nThis paper briefly introduces, via an initial exploratory study, the experimental/nframework on which further, more complete analyses are to be/ncarried out with the aim of observing and describing certain synchronization/nphenomena taking place in ensemble music making.</dcterms:abstract>
   <dcterms:abstract>Papiotis, Panagiotis</dcterms:abstract>
   <dcterms:issued>2015-11-06T10:10:57Z</dcterms:issued>
   <dcterms:issued>2015-11-06T10:10:57Z</dcterms:issued>
   <dcterms:issued>2012</dcterms:issued>
   <dc:type>info:eu-repo/semantics/conferenceObject</dc:type>
   <dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
   <dc:relation>info:eu-repo/grantAgreement/EC/FP7/250026</dc:relation>
   <dc:rights>Aquest document està subjecte a una llicència Creative Commons</dc:rights>
   <dc:rights>http://creativecommons.org/licenses/by-nc-nd/3.0/</dc:rights>
   <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
   <dc:publisher>University of London</dc:publisher>
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