<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-18T07:37:39Z</responseDate><request verb="GetRecord" identifier="oai:www.recercat.cat:10230/25015" metadataPrefix="oai_dc">https://recercat.cat/oai/request</request><GetRecord><record><header><identifier>oai:recercat.cat:10230/25015</identifier><datestamp>2025-12-24T08:53:19Z</datestamp><setSpec>com_2072_6</setSpec><setSpec>col_2072_452952</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
   <dc:title>Timing synchronization in string quartet performance: a preliminary study</dc:title>
   <dc:creator>Marchini, Marco, 1984-</dc:creator>
   <dc:creator>Papiotis, Panagiotis, 1985-</dc:creator>
   <dc:creator>Maestre Gómez, Esteban</dc:creator>
   <dc:subject>Music performance</dc:subject>
   <dc:subject>Ensemble performance</dc:subject>
   <dc:subject>Synchronization</dc:subject>
   <dc:subject>Timing</dc:subject>
   <dc:subject>Tempo</dc:subject>
   <dc:subject>String quartet</dc:subject>
   <dc:description>This work presents a preliminary study of timing synchronization/nphenomena in string quartet performance. Accurate timing information/nextracted from real recordings is used to compare timing deviations/nin solo and ensemble performance when executing a simple musical/npassage. Multi-modal data is acquired from real performance and/nprocessed towards obtaining note-level segmentation of recorded performances./nFrom such segmentation, a series of timing deviation analyses/nare carried out at two different temporal levels, focusing on the exploration/nof significant differences between solo and ensemble performances./nThis paper briefly introduces, via an initial exploratory study, the experimental/nframework on which further, more complete analyses are to be/ncarried out with the aim of observing and describing certain synchronization/nphenomena taking place in ensemble music making.</dc:description>
   <dc:description>Papiotis, Panagiotis</dc:description>
   <dc:date>2015-11-06T10:10:57Z</dc:date>
   <dc:date>2015-11-06T10:10:57Z</dc:date>
   <dc:date>2012</dc:date>
   <dc:type>info:eu-repo/semantics/conferenceObject</dc:type>
   <dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
   <dc:identifier>Marchini M, Papiotis P, Maestre E. Timing synchronization in string quartet performance: a preliminary study. In: Proceedings of the 9th International Symposium on Computer Music Modeling and Retrieval (CMMR 2012); 2012 June 19-22; London, UK. [London: University of London, 2013]. p. 177-185.</dc:identifier>
   <dc:identifier>http://hdl.handle.net/10230/25015</dc:identifier>
   <dc:language>eng</dc:language>
   <dc:relation>info:eu-repo/grantAgreement/EC/FP7/250026</dc:relation>
   <dc:rights>Aquest document està subjecte a una llicència Creative Commons</dc:rights>
   <dc:rights>http://creativecommons.org/licenses/by-nc-nd/3.0/</dc:rights>
   <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
   <dc:format>application/pdf</dc:format>
   <dc:format>application/pdf</dc:format>
   <dc:publisher>University of London</dc:publisher>
</oai_dc:dc></metadata></record></GetRecord></OAI-PMH>